The drawings from Eisenman's Romeo and Juliet project, and textual architecture of fiction that displaces man's place at the center of architectural metaphysics.
Jacques Derrida plays word games with Bernard Tschumi's Parc de la Villette, exploring its deconstruction of the metaphysical structure surrounding Architecture.
A brief review of Alexander's essay "Neo-Naturalism," about the use of data as a fundamental epistemological unit in contemporary architectural production, from Log 31.
Robert Segrest redefines (suburban) Architecture as an immaterial, written byproduct, an incidental geography of experiences outside the material objects of traditional architecture.
Peter Eisenman discusses the end of self-consciously "classical" architecture and the production of a new architectural method.
Some notes on Jean-Louis Cohen's history of the reciprocating intellectual exchange between Italian and French intellectual cultures.
Sanford Anderson presents an optimistic restoration of architecture's "worldmaking" powers through a methodology of knowledge production.
Robin Evans reviews Daniel Libeskind's Chamber Works, interpreting them as the root of a new architecture, an architecture based in the drawing as much as building.
A blurb from Daniel Libeskind's Camber Works.
Alberto Pérez-Gómez presents: the essential phenomenological history, crisis, and imperative of 20th century architecture.