Introduction + Preface

Manfredo Tafuri, "Toward a Critique of Architectural Ideology", 1969. 

George Baird, " 'La Dimension Amoureuse' in Architecture," 1969.

     * This article has been temporarily removed for review. 

Archizoom Associati, "No-Stop City," 1971. 

Denise Scott Brown, "Learning From Pop," 1971. 

Aldo Rossi, Cemetery of San Cataldo, 1971. 

Colin Rowe, "Introduction" to Five Architects, 1972. 

John Hejduk, Wall House, 1968-1974.

Colin Rowe and Fred Koetter, from Collage City, 1973. 

***post script to Collage City + review of Structuralism and Post Structuralism, c.1973. 

Mario Gandelsonas, "Linguistics in Architecture," 1973.

Massimo Scolari, "A New Architecture and the Avant-Garde," 1973. 

Henry Lefebvre, from The Production of Space, 1974. 

Denis Hollier, "Architectural Metaphors," 1974. 

Diana Agrest, "Design versus Non-Design," 1974. 

Bernard Tschumi, "The Architectural Paradox," 1975.

MoMA: "Ecole des Beaux-Arts," 1975-76, Arthur Drexler, director.

Peter Eisenman, "Post-Functionalism," 1976. 

Robert Stern, "Gray Architecture as Post-Modernism, or, Up and Down from Orthodoxy," 1976.

Martin Steinmann, "Reality as History: Notes for a Discussion of Realism in Architecture," 1976. 

Bernard Huet, "Formalism-Realism," 1977. 

Jorge Silvetti, "The Beauty of Shadows," 1977. 

Anthony Vidler, "The Third Typology," 1977.

Georges Teyssot, "Heterotopias and the History of Spaces," 1977.

Charles Jencks, "Post-Modern Architecture," 1977. 

James Stirling, Neue Staatsgalerie, 1977. 

Rem Koolhaas, "Life in the Metropolis," 1977. 

Alan Colquhoun, "From Bricolage to Myth, or How to Put Humpty Dumpty Together Again," 1978. 

Maurice Culot and Leon Krier, "The Only Path for Architecture," 1978.

Leon Krier, School at St. Quentin-en-Yvelines, 1978.

Frank Gehry, Gehry Residence, 1979. 

José Quetglas, "Loss of Synthesis: Mies's Pavilion," 1980.

Massimo Cacciari, "Eupalinos or Architecture," 1980. 

Bernard Tschumi, The Manhattan Transcripts, 1976-1981. 

Jürgen Habermas, "Modern and Postmodern Architecture," 1981. 

Michel Foucault, "Space, Knowledge, and Power," 1982. 

Fredric Jameson, "Architecture and the Critique of Ideology," 1982. 

Alberto Pérez-Gómez, "Introduction" to Architecture and the Crisis of Modern Science, 1983. 

Daniel Libeskind, Chamber Works, 1983. 

Robin Evans, "In Front of Lines that Leave Nothing Behind," 1984. 

Stanford Anderson, "Architectural Design as a System of Research Programs," 1984. 

Jean-Louis Cohen, "The Italophiles at Work," 1984.

Peter Eisenman, "The End of the Classical: The End of the Beginning, The End of the End," 1984. 

Paul Virilio, "The Overexposed City," 1984. 

Robert Segrest, "The Perimeter Projects: Notes for Design," 1984. 

Jacques Derrida, "Point de folie--Maintenant l'architecture," 1986.